Minute Large Ceramic Pot with Drainage Hole and Saucer, Cosmos
The large Cosmos is a glazed ceramic plant pot with a center drainage hole and a matching saucer, and at full size it is the salt argument settled permanently, in glaze, where nobody can reopen it. The texture spreads across more surface, the craters and speckling read as genuinely cosmic rather than merely unusual, and the pot stands as a monument to a disagreement about salt that lasted considerably longer than it should have. Across a surface this size the cratering reads almost as terrain, and the longer you look the less it resembles a pot and the more it resembles a place.
Glazed ceramic holds moisture more evenly than raw terracotta, and every large pot craters its own way. Sized for a floor or a statement plant, it takes the room a decade of stubbornness earned it and asks no permission for the space. We still do not agree on the salt. We agree on this.
Original: $38.00
-65%$38.00
$13.30More Images
Minute Large Ceramic Pot with Drainage Hole and Saucer, Cosmos
The large Cosmos is a glazed ceramic plant pot with a center drainage hole and a matching saucer, and at full size it is the salt argument settled permanently, in glaze, where nobody can reopen it. The texture spreads across more surface, the craters and speckling read as genuinely cosmic rather than merely unusual, and the pot stands as a monument to a disagreement about salt that lasted considerably longer than it should have. Across a surface this size the cratering reads almost as terrain, and the longer you look the less it resembles a pot and the more it resembles a place.
Glazed ceramic holds moisture more evenly than raw terracotta, and every large pot craters its own way. Sized for a floor or a statement plant, it takes the room a decade of stubbornness earned it and asks no permission for the space. We still do not agree on the salt. We agree on this.
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Description
The large Cosmos is a glazed ceramic plant pot with a center drainage hole and a matching saucer, and at full size it is the salt argument settled permanently, in glaze, where nobody can reopen it. The texture spreads across more surface, the craters and speckling read as genuinely cosmic rather than merely unusual, and the pot stands as a monument to a disagreement about salt that lasted considerably longer than it should have. Across a surface this size the cratering reads almost as terrain, and the longer you look the less it resembles a pot and the more it resembles a place.
Glazed ceramic holds moisture more evenly than raw terracotta, and every large pot craters its own way. Sized for a floor or a statement plant, it takes the room a decade of stubbornness earned it and asks no permission for the space. We still do not agree on the salt. We agree on this.
