Burnt Yellow Strawflower
A 16th anniversary gift tradition points to wax—a material chosen for what it holds onto rather than how it starts. The Burnt Yellow Strawflower approaches that tradition from an unexpected angle: a ceramic version of a bloom that already outlasts almost every other cut flower on its own, before ceramic enters the picture. Strawflowers have been drying into papery, architectural forms for as long as cutting gardens have existed, without receiving appropriate acknowledgment for it. The ceramic version holds that at-its-most-architectural moment on a wall or shelf indefinitely, bypassing the dried-arrangement phase that ends two years later with someone quietly putting it in a bag. Burnt yellow is the palette the strawflower was always working toward—warm, slightly weathered, closer to a dried field than anything fresh-cut, which suits a flower that considers longevity a personal achievement. It ships gift-ready and hangs on a single nail. Artisans shape each one by hand at Chive Ceramics Studio, founded in 2004. The Museum of Fine Arts Boston carries Chive ceramic wall art in its museum shop.
Original: $32.15
-65%$32.15
$11.25More Images
Burnt Yellow Strawflower
A 16th anniversary gift tradition points to wax—a material chosen for what it holds onto rather than how it starts. The Burnt Yellow Strawflower approaches that tradition from an unexpected angle: a ceramic version of a bloom that already outlasts almost every other cut flower on its own, before ceramic enters the picture. Strawflowers have been drying into papery, architectural forms for as long as cutting gardens have existed, without receiving appropriate acknowledgment for it. The ceramic version holds that at-its-most-architectural moment on a wall or shelf indefinitely, bypassing the dried-arrangement phase that ends two years later with someone quietly putting it in a bag. Burnt yellow is the palette the strawflower was always working toward—warm, slightly weathered, closer to a dried field than anything fresh-cut, which suits a flower that considers longevity a personal achievement. It ships gift-ready and hangs on a single nail. Artisans shape each one by hand at Chive Ceramics Studio, founded in 2004. The Museum of Fine Arts Boston carries Chive ceramic wall art in its museum shop.
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Description
A 16th anniversary gift tradition points to wax—a material chosen for what it holds onto rather than how it starts. The Burnt Yellow Strawflower approaches that tradition from an unexpected angle: a ceramic version of a bloom that already outlasts almost every other cut flower on its own, before ceramic enters the picture. Strawflowers have been drying into papery, architectural forms for as long as cutting gardens have existed, without receiving appropriate acknowledgment for it. The ceramic version holds that at-its-most-architectural moment on a wall or shelf indefinitely, bypassing the dried-arrangement phase that ends two years later with someone quietly putting it in a bag. Burnt yellow is the palette the strawflower was always working toward—warm, slightly weathered, closer to a dried field than anything fresh-cut, which suits a flower that considers longevity a personal achievement. It ships gift-ready and hangs on a single nail. Artisans shape each one by hand at Chive Ceramics Studio, founded in 2004. The Museum of Fine Arts Boston carries Chive ceramic wall art in its museum shop.
